HOW did that get there? Further poppy musings.

8.30am May 25th:
How did that pod "petal" get there?
As I slept the neighboring poppy made a transforming move!
I wonder if there was any sound? And exactly how did it get on top
of the blossom's petals? Hmmm.

At 11am it remains on the top of the blossom ... at
what moment will it be cast aside to become compost?

Meantime the original blossom looks increasingly like
crushed silk and its interior black center is beginning to appear
as light raindrops fall.

7pm viewing, May 24th ... further amazement!

         

                                                   

A little more sun is all it took!

Obsession is a word I have heard applied to many different situations, but not a word I usually think of as a personal trait! However I have to confess I have become a little obsessed with watching these poppies in our garden as they unfold.  Finally there is one which has shed all of the confining green "petals" protecting the budding blossom inside.  The image at the bottom shows the petals of the blossom now ready to open out.  Just have to hope we don't get another wild storm.  Poppies get a lot of attention for various reasons:  their beauty is one of them.

Stair stepping Trio

Arranged in stair-stepped order, as though posing for my lens ... and in spite of the almost monsoon-like rain, and wild winds, of the last few days the majesty of nature continues to unfold in our garden.  A different poppy plant in the garden, not yet ready to bloom, holds water drops in its "whiskers" while beside it the last blossom from our Japanese iris hangs before becoming compost in the garden below.

Third Thursday in Tacoma

It is Art Walk in Tacoma and we took the opportunity to visit three galleries tonight.  At Peter MacDonald's Brick House Gallery on Fawcett Street longtime local artist Bill Colby was showing a broad range of his work. I was fascinated by a wood block print, with the carved block mounted on the wall above, made by Bill in 1960! This exhibition focuses on Bills' printmaking.

Seeing artists who have continued to evolve and grow in their work is mighty encouraging and Bill Colby is an inspiration to us all. In the accompanying photo he and Peter greet a guest.

You can visit the Brick House Gallery at 1123 Fawcett Avenue on Third Thursdays or by appointment at (253) 627 0426.

Photographer Boyd White has spent the past four years documenting homelessness in the Northwest, as well as in other areas of the country. At Tacoma Art Place nineteen of Boyd's evocative black and white photos are showing.

They are thoughtful, beautifully composed images of a part of life about which no one community seems to have an answer.  The world over, homelessness is an issue and many ideas are put forward but the challenges continue.  Do stop by Tacoma Art Place, consider buying one of their new t-shirts promoting TAP and see Boyd's images.

Tacoma Art Place is a completely volunteer-run non-profit. Our financial survival depends on your contributions and memberships. Please help us start the year off right by making a contribution. You can do so by visiting TAP or online via PayPal. Your contributions are tax deductible and absolutely essential to keep the sort of art access that TAP offers in your community.



 Seated in the window of the Fulcrum Gallery on Martin Luther King Way were three young women who are very active in the arts community in Tacoma. Megan, Heidi and Ellen good naturedly allowed me to take their photo with Jeremy Mangan (the featured artist at the gallery) in the red shirt behind them.  The clouds, trees and my reflection in the window are NOT part of the artwork - but they do make for an interesting image.  However the life sized painting of the famed horse of Troy is part of the exhibition and that and the other works in the show make it worthwhile a visit. Jeremy will give a talk about his work at the gallery on June 17th - 6-9pm. See the gallery website for details.

Walking into the Fulcrum Gallery  I was wowed by artist Elaine Vogel's fabulous coat.  Created by Lynn Di Nino (well known Northwest artist who seems to be able to do just about anything when it comes to art !) it is made from Goodwill sweaters and other garments she has paired to great effect, AND to great compliments from the viewing audience!

Gathering skies with fantastic shades of grey and black seemed like a good idea for us to think about making our way someplace to eat.
Dashing through a torrential downpour, water was careening off the sides of buildings like huge waterfalls. Leaping across the overflowing gutters we made our way to LeLe Restaurant, ate our fill of #54 (THE eggplant dish) and a wonderful curry while we dried out.

Great Art and great food ARE available in Tacoma, WA!

An unfolding

In the few moments before a wild, windy, hail-laden, storm struck the house this afternoon, I ventured outside to gaze upon this amazing poppy, planted at the edge of the garden, and observe the first unfolding of this year.  I almost felt as though I was intruding on a private occasion!
Showing her pink folded petals, for the first time this spring, I stood in awe (again) at the magic of spring and rebirth that greets us at this time of year.  My hope is that the wild winds whipping around our house at this minute won't damage this unfolding.
I am easily imaging waking tomorrow to this pink wonder, fully opened, in the garden.

How do they do that?

Have you ever stood in front of a piece of art work and wondered "How do they do that?"  I feel very fortunate to have some  highly talented artist friends.  And while their work is certainly visible in the art world ... I wanted to post some of their work in case you, the reader, are not familiar with their creations.

At the Whatcom Museum in Bellingham last weekend, I was delighted to watch this woman come across my friend Marita Dingus' installation in the current exhibition Show of Hands: Northwest Women Artists 1880-2010.
The woman was chattering quietly with a friend when she stopped in front of Marita's piece and was immediately silenced: she remained there for a very long time, solitarily engaged with this wonderful creation titled 200 Women of African Descent.  The whole exhibition is certainly worth a visit.
Marita is represented by Francine Seders Gallery, in Seattle.  Another delight was to see the work of Diem Chau ( with whom I had taken a class at Pratt some years ago ...  "before" she was famous!) in three of her beautifully detailed pieces.

When my friend Alicia Tormey invited me to her studio to take some images for her to use, I had my first experience of watching the process of encaustic painting happen ... before my very eyes ( as the over used expression goes!). I had no idea of the complexity of laying down all those layers of paint, wax and shellac ... and then taking a torch to it!!!  EEK!  The painting didn't incinerate, the studio didn't catch on fire, I didn't catch on fire
and the effects are stunning. But not done yet, said Alicia!  Looking at the images later I found myself intrigued by the process images as much as the "almost completed" works.  Alicia's work can been seen currently in a show at the Alexis Hotel in Seattle, Pacini Lubel Gallery - Seattle, and Gillman Contemporary in Ketchum, Idaho.

 Each month my friend Colleen Maloney and I volunteer in the Open Art Studio at the Tacoma Art Museum. When the chores of maintaining the studio are completed ... we "play".  One of Colleen's many talents ( she first identifies as a graphic designer) is as a paper/book artist and yesterday I watched her assemble a book from the stunning pile of paste papers she had created.  Her sense of color always amazed me and when a book is completed, the manner in which those colorful papers are assembled - is simply stunning.  How does she do that?  Surrounded by so many talented people, one just hopes some of it rubs off!